Island of Simulation: A Tropical Playground, a research project by artist Andrea Carrillo, explores the technological, ethical, and aesthetic implications embedded in the simulation of tropical ecosystems. The narrative is set against the Climatron, a geodesic dome greenhouse built in the 1960s in St. Louis, Missouri that attempted to simulate the climate zones of Hawaii, Java, the Indies, and the Amazon for research and spectacle purposes.

Composting Fields proposes an experimental format of knowledge production whose aim is to give space to the work of young thinkers and artists. By the creation of a safe working space, it generates a collective exchange around a specific work. This process materializes in a performative video that illustrates the relationship between the thesis, the process of sharing and its links to Visual Culture.

Through interventions in specific places in the environment and a series of devices that blur the natural and cultural lines, we invite the experience and estrangement to be part of a complex ecosystem. Soft Matter, Deep Time activates a multi-species framework where biology, geology, and fiction dissolve.